![]() As a teenager, he and a pal, Gypsy Dave, spent their summers hitchhiking through the British Isles, singing for supper.Įarly on, Donovan was dubbed the British Bob Dylan - their first meeting in 1966 is captured in the documentary "Don't Look Back" - but he wisely stepped out of Dylan's considerable shadow and began to assert his own gentle voice, lacing it with Celtic and Eastern influences and fusing elements of folk, rock and what is now called world music. ![]() "It's the most fun when it begins, just before the fame," Donovan says, sighing lightly. Interviewed here recently, Donovan did a little time tripping through what he calls "a swirl of mixed memories." In conversation, Donovan's supple, carefully enunciated speech sounds as comfortingly Celtic as it did spinning out fairy-tale landscapes on the introduction to the song "Atlantis." There's a touch of gray to the singer's familiar curls (at 50, Donovan's a granddaddy), and his face radiates an elfin sweetness, not unlike a stress-free Richard Simmons. Like its creator, "Sutras" is soothingly familiar its soft-spun, understated groove reflects both spiritual inclinations and literary inspirations. Now, Donovan's back with "Sutras," his first studio album in 14 years, and a reintroductory tour that's taking him to small venues (the Birchmere tonight) and bookstores (a mini-concert at Borders in Rockville last night). a man-child of magic," and the public embraced such mystic pop hits as "Catch the Wind," "Sunshine Superman," "Jennifer Juniper," "Mellow Yellow" and "Wear Your Love Like Heaven."ĭonovan Leitch, who used to perform on a dais surrounded by flowers, was "new age" before they coined the term. Thirty years ago, a brand-new Rolling Stone magazine described Scottish folk rocker Donovan as "the prince of flower power.
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